Thomas Sigsgaard
furniture designer
Thomas Sigsgaard is part of the renowned design duo Salto & Sigsgaard and has been a member of Danish Design Makers for many years. He graduated from The Royal Academy of fine arts in 1995.
A design process is a tool
Thomas always finds it interesting to receive a brief revealing his task. And he thinks this task is relevant and that the company has made their wishes quite clear.
Thomas always approaches a design task the same anthropological way. He thinks of his design process as a tool.
The task varies from time to time, but my way of designing is always the same. Apart from the fact that I get a little better every time, and my methods are sharpened over time.”
First, Thomas engages in a research process to gather all information about what may influence the product before he starts shaping his design. Then he finds a design concept. And after that he tests his idea.
“I’m not going to present a design set in stone. I wish to be flexible towards the company, so they can contribute to the design with their experience and knowledge. To me, the most important thing is the principle or the concept of the design.”
Blind dating is challenging
The main challenge for Thomas in this otherwise fun experiment is that he can’t align his idea with the company and benefit from their expertise before he makes it. He doesn’t want to make a lot of guesses, so instead, he has concentrated on fine tuning his concept.
It’s not that I’m worried they don’t like the expression of my design. It’s being prevented from co-deciding whether this piece of furniture has a justification in the world. We should in fact always ask, what does the world need?”
Thomas has always appreciated the opportunity to create designs that solve problems. He like to invent. To him, designing is about making something that is capable of cracking real-life challenges. Then it doesn’t matter much what material the product is made of, as long as it is durable and long-lasting.
Designing isn’t sustainable
According to Thomas, no matter what we create, it isn’t sustainable to produce stuff. So, what’s the next best? For him, it is to make something that the world needs.
“This is what I’m trying to do. I’m trying to create something that currently doesn’t exist. And I think it would be unwise to exclude specific materials solely because of their climate emissions if these materials are needed to solve the problem.”
In spite of this, Thomas likes the Målbar tool. He finds it interesting to see the difference in emissions between two materials that have almost the same characteristics. Thomas looks at his own design process as being democratic and open to inputs, and he has considered and worked with the insights he has gained from working with Målbar.
Stay tuned..
When the design has been revealed at ORGATEC on October 22nd, this article will be updated with photos of the final design and more insights from the designer. The climate emission number will also be shared here along with an explanation of how the design choices have influenced the emissions.
Context
Målbar participates in Danish Design Makers’ 2024 design challenge, The Blind Date experiment where 19 designers and design duos answer furniture briefs from anonymous European furniture companies. The designers use Målbar’s climate screening tool to gain insigths into the climate emissions of materials and production processes, learning about the climate impact of their design choices. Ultimately, the total climate footprint of each design will be calculated and presented at ORGATEC in Cologne on October 22nd-25th 2024.
This article reflects the designer’s own opinion and Målbar does not necessarily agree with their statements about materials, processes, etc.